My introduction to Naked Week has thus far been mostly in the form of rumors and myths: a long-standing tradition of students appearing en masse, in public, and naked all week long. This is only my second semester teaching at Denison, and my first experience witnessing this spectacle. Beforehand, I heard several different accounts of the significance of this event. For some, it is a festival of body-positivity, breaking with social conventions in order to affirm the inherent worth and beauty of bodies. For others, it’s been described as another excuse to party or to get attention. I heard one person say that it inspires them that people are so brave; another said that it just makes them uncomfortable. To be sure, the motivations and intentions of Naked Week and today’s opening ceremonies are plural, shifting, at times communal, at times individual, and likely sometimes contradictory. But as an artist and a scholar of performing arts, a reality with which I am intimately aware is that the effects of any performance, any actions, will always exceed any motivations and intentions. The potential effects of any performance will remain in part unpredictable, and will vary more than anyone can control. Rather than speculate about the intentions or motivations of those who ran naked in front of their university community today, I want to take a moment to consider some of the possible effects of that action.
Source: NAKED WEEK at Denison University
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